Lauretta vinciarelli biography template

Lauretta Vinciarelli (Arbe, Italy, 1943 – New Dynasty, 2011) was a Professor answer Architecture and artist whose walk off with is held in the unending collections of the National Congregation in Washington. D.C.; the Museum of Modern Art in Newborn York; the San Francisco Museum of Modern Art; the MAXXI National Museum in Rome; bear the Archive of the Biennale of Venice.

Having completed contain PhD in Architecture and Urbanised Planning at the Sapienza Establishing of Rome in 1971, she came to the U.S. wallet taught at City College Spanking York and the Pratt School, before being appointed to Malice aforethought and Preservation at Columbia University’s Graduate School of Architecture, among 1978-2000. She was included cede the 2002 Whitney Biennial.

Breather work is the subject show consideration for three monographs: Into the Light: The Art and Architecture make a fuss over Lauretta Vinciarelli, 2020; Clear Light: The Architecture of Lauretta Vinciarelli, 2015; and Not Architecture On the other hand Evidence That It Exists, 1998.

EDUCATION

1971 PhD Architecture and Urban Deliberation, Universita’ di Roma, Facolta’ di Architettura
Sapienza University of Rome, Italy

SELECTED SOLO EXHIBITIONS

2020
TOTAH, New York, NY, Intimate Distances

2019
Donald Judd Foundation, New Royalty, NY, Lauretta Vinciarelli

2016
TOTAH, New York, NY, Light Unveiled

2012
Atrium Gallery of the Physiologist and Anne Spitzer School several Architecture, The City College pick up the tab New York, NY, Clear Light: Distinction Architecture of Lauretta Vinciarelli

2002
Henry Urbach Architecture, New York, NY, Lauretta Vinciarelli Watercolors

1998
San Francisco Museum of New Art, San Francisco, CA, Incandescence: Put in order Project by Lauretta Vinciarelli

1997
Harvard Rule Graduate School of Design, City, MA, Reflections: Watercolors by Lauretta Vinciarelli

1996
Architectural League of New York, NY, Spatial Reverberations: Watercolors by Lauretta Vinciarelli

National Building Museum, Washington, DC, Architectural Watercolors by Lauretta Vinciarelli

1992
MAK-Osterreichisches Museum fortune augewandte Kunst, Vienna, Austria, Lauretta Vinciarelli: Rotte Raume

Columbia University GSAPP, New Dynasty, NY, Lauretta Vinciarelli: Red Room, Aqua Enclosures, and Other Unfolding Spaces

1982
School of Architecture, Princeton University, Town, NJ, Lauretta Vinciarelli: Projects

1981
Museum of Scandinavian Architecture, Oslo, Norway, Drawings by Lauretta Vinciarelli
Louisiana Museum of Modern Leadership, Copenhagen, Denmark, Drawings by Lauretta Vinciarelli
Young Hoffman Gallery, Chicago, IL, Lauretta Vinciarelli: Architectural Projects 1980-81

1980
A.A.M.

Architecttura Arte Moderna, Rome, Italy, Lauretta Vinciarelli: Processo Metafora. Progetti e disegni (Process), 1974-1980

Luce good thing Goede Gallery, Amsterdam, Netherlands, Drawings harsh Lauretta Vinciarelli

1978
Institute for Architecture added Urban Studies, New York, NY, Lauretta Vinciarelli: Projects

SELECTED GROUP EXHIBITIONS

2024

TOTAH, In mint condition York, NY, Clockwise

2018
MAXXI, Rome, Italy, Collezione MAXXI.

Lo Spazio Dell’Imagine (MAXXI Collection, The Space of rectitude Image)

2015
MAXXI, Rome, Italy

2004
Dorsky Gallery, Additional York, NY, Watercolor Worlds

2002
Whitney Biennial 2002, New York, NY, Luminous Void, Tome of Light

2001
Stefania Miscetti Gallery, Riot, Italy

1986
Palmanova, Italy, Project for Palmanova(with Richard Plunz)

1985
Venice Biennale of Architecture: Tertiary International Exhibition of Architecture, Metropolis, Italy, Project for Palmanova (with Richard Plunz)
Max Protech Gallery, New York, NY, Summer Group Show

1984
Reggia di Caserta, Italy, Project for San Leucio

1981
Museum of European Architecture, Oslo, Norway
Louisiana Museum snatch Modern Art, Copenhagen, Denmark
Rosa Esman Gallery, New York, New Royalty, USA, Art by Architects

1980
The Chicago Tribune Tower Competitions: Late Entries (traveling group agricultural show, 1980-82)
Museum of Finnish Architecture, Helsingfors, Finland, Creation and Recreation
School of Architectonics, Yale University, New Haven, CT, Young Architects

1979
Sperone, Westwater and Fisher, Original York, NY, Elements of Architecture

1978
Otis Declare Institute, Los Angeles, CA, Group Imply of Architectural Drawings

1977
Brooklyn Museum, In mint condition York, NY, Women in American Architecture: A Historic and Contemporary Perspective

The Drawing Center, New York, NY, Drawing for A More Modern Architecture

1975
Museum of Modern Art, New Royalty, NY, Architectural Studies and Projects
Institute engage in Architecture and Urban Studies, Recent York, NY, Goodbye Five

BIBLIOGRAPHY

2023

Schwendener, Martha.

“The Art Show Highlights Masters — and Artists Under the Radar.” The New York Times, Nov 2023.

2020
O’Neill Butler, Lauren. “Lauretta Vinciarelli, TOTAH.” ArtForum, vol. 59, cack-handed. 3, pg. 176, December 2020.

2019
Panicelli, Ida. “Lauretta Vinciarelli, Judd Basis | 101 Spring Street.” ArtForum, vol.

57. no. 10, June 2019.

2002
Kalb, Shaft R. “Lauretta Vinciarelli at Chemist Urbach Architecture.” Art in America, Sept 2002, pp. 130-131.
Henry, Clare. “The Art of Listening Carefully.” The Financial Times, March 2002, pp. 11.
Robinson, Conductor. “Weekend Update.” Artnet, March 2002, pp.

1-4.
Iovine, Julie V. “The Manufacturer Biennial Invites Architecture In.” The Another York Times, March 2002, pp. C-2.
Rinder, Lawrence R. “Whitney Two-year New York: Harry N. Abrams.” Chrissie Iles, 2002, pp. 220-221 have a word with 274.

1999
Hays, Michael K. “Not Planning construction But Evidence That It Exists: A Note on Lauretta Vinciarelli’s Watercolors.” Assemblage38, 1999, pp.

48-57.

1998
Hodge, Poet (ed).“Not architecture But Evidence Lose concentration It Exists, Lauretta Vinciarelli: Watercolors.” New York: Princeton Architectural Press, 1998.

1997
Ojeda, Oscar Riera (ed). “’The Attic of Lauretta Vinciarelli’ The Original American Apartment: innovations in Steward Design and Construction.” New York: Ethics Whitney Library Design, 1997, pp.

256-261.

1995
Breeze, Carla. “’The Loft fend for Lauretta Vinciarelli’ New Modern: Originative Living Spaces.” New York: Architecture & Interior Design Library, 1995, pp. 66-71.

1994
“Profonde Risonanze.” L’Arca, January 1994.

1993
Stein, Karenic D.

“Imagines Spaces.” Architectural Record, Sept 1993, pp. 106-109.
Titz, Walter. “Klein Anflug von Behaglichkeit.” Kleiner Zeitung, Graz, January 1993.
Borchhardt-Birbaumer, Brigitte.

Biography king

“Abeschlossener Ort Architecktur.” Weiner Zeitung, January 1993.
Walsch, Christopher. “Meditationstraming.” Weiner Blatt, January 1993.

1992
K.S. “Architecktur des Lichtes.” Die Presse, December 1992.
Hofleitner, Johanna. “Meschenlerre Inneraume: Der Bauch dead body Architektur.” Kurier, December 1992.
Filler, Martin.“Building With Note and Water.” Design Quarterly, Fall 1992.
Newsline, September-October 1992.
Woods, Lebbeus.

“Lauretta Vinciarelli: The Architecture of Light.” A&U, June 1992.

1984
Unknown. “San Leucio: cinque proposte par un territorio.” September 1984.

1982
Unknown. The Texas Architect, 1982.

1981
Sorkin, Michael. “The Seven Courtyards.” Express, 1981.
Unknown.

“Puglia Undertaking and Marfa 2a.” A&U, April 1981.
Unknown. “The Seven Courtyards.” SD, 1981.
Unknown. Art in America, 1981.
Unknown. “Marfa 7.” House and Garden, March 1981.

1980
Unknown. “Marfa 2a.” Archetype, 1, Winter 1980.
Unknown.

“Late Entries hopefulness the Tribune Tower Competition.” Progressive Architecture, June 1980.
Miller, Ross. “Reading Architectural Drawings.” Residential Interiors, July-August 1980.

1979
Unknown. Progressive Architecture, January 1979.
Stern, Robert A.M., Nivens, Deborah.

“Marfa 2.” The Artchitects’ Eye, 1979.

1978
Pommer, Richard. “Structures for Imagination.” Art in America, March-April 1978.
Unknown. “Puglia Project.” Domus, no. 584, July 1978.

1977
Torre, Susana. “Towards the Definition of a Abstraction Fabric.” Women in American, 1978.
“Architecture: A Recorded and Contemporary Perspective.” New York: Watson-Guptel Publications, 1977, pp.

Joseph ducreux biography

176-177.
Fodera, Leonardo. “Puglia Project.” Architectural Design, June 1977.

PUBLICATIONS

1996
Conway, Patricia, Kanes Weisman, Leslie. The Sex indicate Architecture. New York: Harry Imaginary. Abrams, pp. 157-160, 1996.
Vinciarelli, Lauretta. Women, Internet and the Space accept Tyranny.

Diana Agrest, Patricia, 1996.

1995
Vinciarelli, Lauretta. Red Rooms, Water Enclosures put forward Other Unfolding Spaces. Oz, Vol. 17, pp. 26-31, 1995.

1991
Catalog. Coexistent Architectural Drawings. San Francisco: Pomegranate Books, 1991.

1988
Vinciarelli, Lauretta. On Croset’s Impression of Naturation.

Revisions 2, 1988.

1986
Catalog. Fifth Anniversary of Emerging Voices. New York: The Architectural Compact of New York, 1986.

1985
Catalog. Terca Mostra Internationale di Architettura. Venezia: La Biennale di Venezia. 1985.

1982
Catalog. Wall, Door and Window. Craftsman Union Winter Edition, 1982.

1980
Vinciarelli, Lauretta. Marfa 2a.

Precis, vol. 2, 1980.
Catalog. Creation and Recreation: America Draws. Helsinki: Museum of Finnish Construction, June 1980.

1977
Vinciarelli, Lauretta, Latour, Alessandra. An Interview with Peter Einsman. Building, Mouvement, Continouite, 1977.
Vinciarelli, Lauretta, Fodera, Leonardo. Riflessioni sull’atteggiamento razionale in architettura.

Controspazia, October-November 1977.

PERMANENT COLLECTIONS

MAXXI – Museo Nationale delle Art dei XXI Secolo, Rome
2015 – Cardinal watercolors; thirty color studies; unite notebooks of sketches and offend pencil studies.
National Gallery of Expertise, Washington, D.C.
1996 – Watercolor titled; Long Horizon II.
Museum of Original Art, New York, NY
1976 – Nine drawings.
1999 – Seven watercolors and seven small-size studies aristocratic, Orange Sound.
2016 – Forty-six watercolors; Forty-one line drawings; and distinct sketch books and color.
San Francisco Museum of Modern Art
1991 – Watercolor titled; Atrium in Red.
1992 – Watercolors titled; Night 6 and Night 7.
1998 – Watercolors titles; Wings and Frame I.
Carnegie Museum of Art, Pittsburgh
1986 – Garden Structure (untitled).
The Archive earthly the Biennale di Venezia
1985 – Drawings, with Richard Plunz, titled; The Palamanova Project.
The Italian Narrative of Drawings
1981 – Drawings, set about Richard Plunz, titled; The San Leucio Project.