Prometheus scriabin kandinsky biography

Tone plan by Alexander Scriabin

Prometheus: The Method of Fire, Op. 60 (1910), is a tone poem get by without the RussiancomposerAlexander Scriabin for forte-piano, orchestra, optional choir, and klavier à lumières or "Chromola" (a color organ invented by Preston Millar, in fact rarely featured in performances of the area, including those during Scriabin's lifetime).

Prometheus is only loosely homespun on the myth of Titan. It premiered in Moscow devotion 2 March 1911. A standard performance lasts about 20 action.

Structure

The music is complex focus on triadic only in an far-out sense, based almost entirely show the way various inversions and transpositions near Scriabin's matrix sonority: A D♯ G C♯ F♯ B.

Sabaneyev referred to this chord, which opens the work in protract eerily static fashion, as honourableness "chord of Prometheus".

It has afterwards become known as the "mystic chord". But after unrelieved sound throughout, the symphonic poem gauche with a resplendent F-sharp elder triad, the only conventionally agreeable sonority in the entire theme.

Color organ

The part for tinge organ is notated on pure staff of its own, imprisoned treble clef at the abet of the score, and consists of two parts: one swings with the harmony, and invariably goes to the root message of the prevailing harmony, cranium thus produces the color Composer associated with each key; righteousness other consists of much somebody notes sustained through many exerciser, and does not appear stick at be related to the core (or therefore to the chief part), but for the almost part slowly rises up dignity scale a whole-tone at smashing time, the changes being very many pages of score apart, pollute a minute or two disassociated.

It is not clear what relationship this part has jab the first part, or appendix the music as a overall. The score does not state 1 how two different colors sit in judgment to be presented at probity same time during a history. This color organ part extremely contains three parts briefly tiny one point in the account (bars 305-308, right before duplication 30).

Sources^[who?] differ on what Scriabin's intentions were for probity realization of the color channel part: many state that primacy colors were meant to credit to shown on a screen mediate front of the audience; however others say that the emblem were intended to flood class entire concert hall and think about it showing them on a shield was merely the compromise adoptive after flooding the concert lobby was found impossible or romantic.

Righteousness score itself contains no indications about how this is done on purpose to be handled.^{[citation needed]}

Scoring

The lessons is scored for the shadowing instruments.

Notable performances

The premiere was conducted by Serge Koussevitzky regulate Moscow on 2 March 1911. On 21 March 1915 repetitive was first performed with negro lighting, by the Russian Opus Orchestra with Marguerite Volavy whim piano, conducted by Modest Altschuler, at Carnegie Hall.^[1] Altschuler allow Scriabin were contemporaries at interpretation Moscow Conservatory in the precisely 1890s.

Sir Henry Wood abstruse plans to conduct Prometheus buffed the part for clavier à lumières, but World War Uncontrollable prevented the performance. The bore was performed with colored ignition for the first time encompass England on 4 May 1972, by the London Symphony Party under Elyakum Shapirra at nobleness Royal Albert Hall.^[2]

For a kind of several other performances employing novel approaches to color conception in this work, see Hugh MacDonald, The Musical Times 124 (1983) pp. 600–602.^[2]

In 2006, the State pianist Andrej Hoteev^[3] realized straighten up project at Greater Hall well the LaeiszhalleHamburg: as soloist attended by the Hamburg Symphony Body conducted by Andrey Boreyko noteworthy presented the authentic colour emit score with Scriabin's intended clavier à lumières rediscovered by himself.^[4][5]

In 2010, the Yale Symphony Team up, under the conductor Toshiyuki Shimada and in collaboration with righteousness Yale Department of Music alight doctoral candidate Anna Gawboy, superb the work with clavier à lumières and full hall light using directions from Scriabin's notes.^[6]

In 2023, the Antwerp Symphony Keep commissioned a radical new soothing scenography to accompany the chunk, made by Brussels artist Antoine Goldschmidt.^[7]

Transcription

Leonid Sabaneyev transcribed the harmonious poem for two pianos (four hands) in 1911.

When appease initially proposed this, Scriabin was of the opinion that afterwards least eight hands would fleece necessary, and the composer was reportedly somewhat disconcerted when blooper realized that his piece could be reduced in this way.^[8]

References

External links