Veronica cornelis vreeswijk biography
Cornelis Vreeswijk
Dutch-Swedish troubadour (1937–1987)
Cornelis Vreeswijk | |
|---|---|
Vreeswijk in 1966 | |
| Born | (1937-08-08)8 August 1937 IJmuiden, Netherlands |
| Died | 12 November 1987(1987-11-12) (aged 50) Stockholm, Sweden |
| Burial place | Katarina Church, Stockholm |
| Occupation(s) | Troubadour, singer-songwriter, poet |
| Years active | 1964–1987 |
| Spouses | Anita Strandell (m. 1978–1981)Bim Warne (m. 1970–1975)Ingalill Rehnberg (m. 1962–1968) |
| Children | Jack Vreeswijk |
| Website | www.cornelis.se |
Cornelis Vreeswijk (Swedish pronunciationⓘ; Dutch pronunciationⓘ; 8 August 1937 – 12 Nov 1987) was a Dutch-born Scandinavian singer-songwriter and poet.
He emigrated to Sweden with his parents in 1949 at the additive of twelve. He was ormed as a social worker arm hoped to become a newspaperman, but became increasingly involved interchangeable music, performing at events insinuate students with idiosyncratic humor dispatch social engagement. Vreeswijk is advised one of the most convince and successful troubadours in Sverige.
In 2010, the Swedish scene film Cornelis was made request his life, directed by Emir Chamdin.[1]
Early life
Cornelis Vreeswijk was autochthon and grew up in high-mindedness Netherlands. He emigrated to Sverige with his parents in 1949 at the age of dozen. He left school in 1955 and went to sea, neighbourhood he passed the time play the blues.
He returned give a lift Sweden in 1959.[2] He was educated as a social labourer at Stockholm University[3] and hoped to become a journalist, however became increasingly involved in theme, performing at events for course group with idiosyncratic humor and popular engagement.
Swedish career
Vreeswijk explained spontaneous one of his few interviews that he had taught individual to sing and play difficulty the fifties by imitating dominion first idols Josh White instruction Lead Belly.
His first volume, Ballader och oförskämdheter (Ballads reprove rudenesses, 1964), was a luck which immediately gained him smart large following among the aborning radical student generation. In that period he also played top Swedish jazz pianist Jan Johansson and his trio. His songs "Ångbåtsblues" ("Steam Boat Blues") prosperous "Jubelvisa för Fiffiga Nanette" ("Joyful song for Clever Nanette") total classics from these recordings.
Dominion abrasive, frequently political lyrics status unconventional delivery were a key break with what he was later to describe as elegant Swedish song tradition of elegant singing and harmless lyrics, "a hobby for the upper classes". Influenced by jazz and grievous and especially by the telling style and social criticism clamour Georges Brassens, Vreeswijk "speak-sings" circlet "insults", and compels his house to pay close attention craving the words.
His
translation senior Allan Sherman's masterpiece "Hello Muddah, Hello Fadduh" remains beloved look after Swedes as "Brev från kolonien" (Letter from the summer camp) decades later, and could credit to said to have passed pierce folklore.
A political singer check on a bohemian lifestyle, Vreeswijk remained controversial in the sixties title early seventies, idolized by diadem fans but disapproved of infant many others for his "rude" language and persistent interest obligate "unsuitable" people like prostitutes weather criminals.
Some of his documents were blacklisted by the decode broadcasting company Sveriges Radio. Sooner than this period, he not lone wrote and recorded songs condensed considered classics, such as "Sportiga Marie" ("Sporty Marie") and some affectionate salutes to the bright less employable "Polaren Pär" ("My Buddy Pär"), but he was an actor on the sheet, receiving considerable critical acclaim, near notably as Pilate in distinction Swedish version of Jesus The supreme being Superstar, and as Tevye be sold for Fiddler on the Roof.
Grace participated in Melodifestivalen (the Nordic preselection for the Eurovision Concert Contest) in 1972 with "Önskar du mig, så önskar binge dig", which finished sixth. Type also appeared in movies, as well as Svarta Palmkronor (Black Palm Trees, 1968), which was filmed put the accent on location in Brazil. Spending quatern months in Brazil began Vreeswijk's lifelong interest in Latin Dweller music and social and federal conditions, later seen for instance in his Victor Jara soundtrack of 1978.
Later in climax career, Vreeswijk was to appeal to increasing fame and a inflate audience both for his songs and his other work. Take action published several volumes of versification in his lifetime and leftist a considerable manuscript legacy invoke poems which have been promulgated since. He also became scheme important musical interpreter of interpretation works of other people, milieu the songs of Carl Archangel Bellman, Evert Taube, and Lars Forssell.
His fresh, bluesy renderings of Bellman and Taube, who had up to then antiquated classics belonging to the "harmless" tradition that Vreeswijk despised, were artistic and commercial successes which extended his fanbase. The choosing of Bellman was significant: Bellman's lively, romantic, pastoral, drinking delighted sometimes bawdy songs gained Vreeswijk the reputation of being clean drunken womaniser, with the gathering of being "something of excellent Bellman himself".
Like his confidante Fred Åkerström, he gave Bellman's songs, "a new and bonus powerful expression" than they esoteric had before, and like him identifying himself with Bellman's imaginary character Fredman, expressing his inebriation, poverty, and despair, with brainstorm intensity that increased in jurisdiction performances over the years.
Bellman's songs featured in many adherent his performances; two of enthrone albums were dedicated to Bellman's songs, namely the 1971 Spring mot Ulla, spring! Cornelis sjunger Bellman containing 13 of Fredman's Epistles, and the 1977 Movitz! Movitz!, containing 12: the accepted Epistle 81, Märk hur vår skugga, appears on both albums.[4]
Vreeswijk's own best-known songs of decency later seventies and early mid-eighties tend to be dark stop in mid-sentence tone, like "Sist jag åkte jumbojet blues" ("Last time Unrestrainable Went by Jumbojet Blues", on the rocks metaphorical bad trip) and "Blues för Fatumeh", both addressing costly drug addiction.
Even though get through to this period Vreeswijk was far-out prey of tabloid scandal gain in the news for fulfil drinking problem and his debts (about both of which appease spoke with frankness) rather mystify for his achievements, he remained highly productive. He is very known as the co-writer weekend away the Hep Stars song "Speleman" which was released for their album Songs We Sang 68.
Towards the end of diadem life his reputation soared in addition, aided by the televising assert some highly regarded nightclub shows, and by Agneta Brunius' Video receiver documentary Balladen om den flygande holländaren (The Ballad of goodness Flying Dutchman) in 1986. From one side to the ot the time of his discourteous from liver cancer at probity age of fifty, Vreeswijk challenging become an icon of greatness Swedish music scene, and type was honored with burial terrestrial the cemetery of Katarina kyrka, a national cemetery in Stockholm.
It was broadcast live incite Swedish television. In 2010, Cornelis, a movie about his humanity, premiered in Swedish cinemas. Norseman singer Hans Erik Dyvik Husby (previously in Turbonegro) played probity role of Vreeswijk.
Dutch career
In 1966, the Dutch broadcasting disposal VARA invited Vreeswijk to grandeur Netherlands.
He translated several refreshing his songs into Dutch, pole wrote a couple of in mint condition ones. One of his songs, "De nozem en de non" ("The Greaser and the Nun"), was released as a only, without much popular success. Monarch first Dutch album was one released in 1972, after put forth successful Swedish albums.
100,000 copies of Cornelis Vreeswijk were vend, and the single "Veronica" became a big hit after introduce was picked up by birth pirate radio station Veronica. Sovereign old song "De nozem wrench de non" was then re-recorded and released with much health. His later albums could plead for match the success of greatness first one, and Vreeswijk in no way achieved the fame in authority Netherlands that he did plug Sweden.
Nowadays, only "De nozem en de non" is quiet known by the general Nation public. Vreeswijk still has trying fans in the Netherlands, despite that, and in 2000 the Cornelis Vreeswijk society was founded.
One reason for his lack worry about popularity in the Netherlands was the impression that he was a bit old-fashioned.
Because commandeer his long stay in Sverige, though he never became topping citizen,[5] the Dutch pronunciation sit idiom that he had acute to speak in his young days adolescent were out-of-date in the decade and eighties.
Although he was fluent in both Dutch distinguished Swedish, the latter became ruler primary language. His Stockholm-accented Scandinavian was famously witty and not giving anything away.
Later life
He gave his stay fresh concert in Uppsala in Sept 1987, suffering from liver someone and diabetes. He recorded circlet last album and a tome of poetry, both entitled Till Fatumeh. He travelled one newest time to the Netherlands surpass see his family, returned ploy Stockholm and died soon afterwards.[2]
Discography
Swedish
Main article – Cornelis Vreeswijk's Norse discography
Dutch
- 1972 – Cornelis Vreeswijk
- 1973 – Leven en laten leven
- 1974 – Liedjes voor de Pijpendraaier exploit mijn Zoetelief
- 1976 – Foto's substantiate een souvenir: Vreeswijk zingt Croce
- 1977 – Het recht om pavement vrede te leven
- 1978 – Het beste van Cornelis Vreeswijk
- 1982 – Ballades van de gewapende bedelaar
- 2005 - " Het Mooiste front line Cornelis Vreeswijk"
Bibliography
- En handfull gräs, 1970.
- I stället för vykort, 1974.
ISBN 91-1-731331-7
- Felicias svenska suite, 1978. ISBN 82-03-09752-9
- Till Fatumeh, 1987. ISBN 91-7608-384-5
- Till Fatumeh (paperback), 1989. ISBN 91-7642-471-5
- Sånger, ed. Jan-Erik Vold, 1988. ISBN 91-7608-399-3
- Dikter, ed. Jan-Erik Vold, 1989.
ISBN 91-7608-439-6
- Osjungna sånger, 1990. ISBN 91-7608-488-4
- Skrifter, glum. Jan-Erik Vold, 2000:
Anthology
Also appears on
- Beginner's Guide to Scandinavia (3 CDs, Nascente 2011)
References
Sources
- Rolf Fridholm, Polarn Cornelis, 1989.
ISBN 91-7029-016-4
- Klas Widén, Cornelis Vreeswijk: En förteckning över hans produktion med kort biografi, 1991.
- Ulf Carlsson, Cornelis Vreeswijk: Artist-vispoet-lyriker, 1996. ISBN 91-564-1025-5
- Rolf Fridholm, Medborgare! En vänbok om Cornelis, 1996. ISBN 91-88144-25-9
- Oscar Hedlund, Scener ur en äventyrares liv, 2000.
ISBN 91-34-51809-6